Gates of Eden

Built with precoloured little slabs without using armatures.
In some of them, shards are used.
My first aim is expression. Forms sometimes deform in the kiln.
I work from the inside, and I touch as less as possible the outside surface. The slab on my work table becomes the outside skin of my sculpture.
The sculpture forms itself, I am only the instrument.
Single electric firing at 1200 °C.