Artista : Morrow Lucy
Immagini
Dettagli
Altezza (cm): 70
Larghezza (cm): 80
Profondità (cm): 14
Peso (kg): 6
Materia e tecnica: Slip cast Limoges porcelain,commercial stains. Transparent glaze and gold luster . The pieces are presented on plexiglass wall shelves,(L15cm X W10cm) held in place using chrome clamps which are screwed into the wall.
Tecnica: The Pieces are slipcast,biscuit fired,polished,glazed and high fired to 1230°.They are decorated using gold luster and then the fragment like pieces are then assembled in pairs and organised on wall mounted plexiglass shelves.Each element measures approximately 10cmx10cmx10cm.The whole piece measures H70cm xW80cm X14cm.Weight,6KG
Note: Possible Fragments is a wall installation piece consisting of 10 assembled slip cast porcelain forms organised on individual plexiglass shelves.Each object consists of two fragment like pieces, leaning into one another.Some of these couples are the result of two successive casts from the same mould while others are pairs drawn from two different ones.The 10 shelves are attached to the wall in a staggered formation using chrome clamps. I declare that the piece 'Possible Fragments' belongs to me that it was created by myself in 2019 and it has not been entered into other competitions.
Anno di completamento: 2019
Edizione
‘Possible Fragments’ is a collection,like a ceramic puzzle, of fragment-like forms leaning into one another in pairs. The complimentary thin shapes are fitted together, serrated edges meeting but not exactly marrying up. Some of these couples are two successive casts from the same mould while others are pairs drawn from two different ones, thus accentuating the lopsided or asymmetric aspect of the pieces. The porcelain is tinted using coloured stains, each piece polished, decorated high fired and then assembled. The shards,that we perceive as incomplete or fragmented are pieced together and delicately organised like artifacts. The pieces portray a simple vocabulary; two basic slip-cast shapes leaning together in an almost natural way. The spectator mentally, consciously or subconsciously,tries to reconstruct what would have been the original form of these objects. In some respects they are like remains that move beyond their original unfragmented state, evolving into something new, attaining a whole new aesthetic.